Princess Polly At Play — Background and Themes

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Brooks, Amy Project Gutenberg 2008
Children's stories; Friendship -- Juvenile fiction; Family -- Juvenile fiction; Weddings -- Juvenile fiction; Girls -- Juvenile fiction; Seashore -- Juvenile fiction Readers of public-domain and historical texts
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Words: 34,415
Reading time: 150 min
Text sections: 5
This editorial note examines how the opening, middle, and later excerpts of Amy Brooks's 'Princess Polly At Play' guide a first reading, focusing on the seaside setting, the wedding plot, and the character dynamics among Polly, Rose, Sprite, and Gwen.
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There were fine lawns and beautiful flowers everywhere, but Polly and Rose loved the shore, and surely the salt air was delightful, and the beach a lovely place on which to romp. There was Captain Seaford, whose little daughter, Sprite, had spent the winter at Avondale, and a pleasant little playmate and classmate she had been.

She had returned to her home at Cliffmore, and now was counting the days when Princess Polly and Rose would arrive, and every morning she would stand in the doorway of her home on the beach, and look in the direction in which Avondale lay.

It happened one morning that at the same moment that Sprite opened the door to look out, Princess Polly and Rose were talking of her. They, too, were out in the sunshine.

"How pretty Sprite looked last Summer when she played that she was a little mermaid, and lay on the rocks looking down into the water, her long yellow hair hanging down over her shoulders," Polly said.

"And the day that she invited me over to her house," said Rose, "her dress was light green, and she wore a string of coral around her neck. I thought she looked sweet then."

"How we did enjoy her house! We never saw one like it. It was a ship's hulk, turned upside down, and divided up into rooms. Oh, but it was cosey!" Polly said.

"And it won't be long before we'll be there at the shore, playing with Sprite just as we did last Summer," said Rose.

A long time they stood talking. There were such delightful memories of Cliffmore, and so many pleasures to anticipate. There would be sailing trips on the "Dolphin," the yacht belonging to Captain Atherton, and Captain Atherton himself had hinted at some sort of merry-making that would occur at his fine home on the shore.

"Uncle John doesn't say whether it is to be a party, or what it will be, but when I asked him if it would be fine, he took me on his knee, and he said:

"'Rose, little Rose, it will be the brightest, the happiest event that I ever attended,' so I guess it will be fine, for Uncle John always means what he says," Rose concluded.

"Oh, we can't help wondering what it will be like, and just when it will be," Princess Polly said, her hands tightly clasped and her eyes bright with excitement.

"It's a lovely place to stay in, even if there wasn't a single thing planned for amusement, but when you know there'll be ever so many good times happening during the Summer, it makes us wild to start for Cliffmore."

The sound of footsteps running made them turn, just as Gwen Harcourt came racing toward them.

She was a little neighbor, so bold, so regardless of the feelings of others, so apt to tell outrageous stories, that Polly and Rose were not fond of her. She never stopped to question if she were welcome, but entered any house where the door stood open, and at once made herself quite at home, always remaining until she chose to go.

She was evidently quite excited. Her short, curling hair blew about her face, and her cheeks were red.

"What do you think?" she cried. "I've just come from that big house over there, where the people have just moved in. I couldn't tell if I'd like to know them, unless I went when I could see them, so this morning I went right up to the door, and as it wasn't locked, I opened it, and went in."

"Why, Gwen Harcourt!" Rose exclaimed.

"Well, what?" Gwen said pertly.

"S'pose I was going to wait and wonder what those people were like? I guess not. I went right straight in and looked at them, so now I know.

"The lady isn't much to look at, and she wasn't dressed up the least bit, and the baby that the nursemaid was holding was awful homely.

"Its face was red, and its hair was sort of straight and stringy, and when it cried, and that was most all the time I was there, it made a perfectly horrid face.

"There's a boy there, too, and I didn't like him very well," she continued. "He talked to me some, but he wants to do all the talking, and I don't like that. I want to talk most of the time, myself."

Polly and Rose managed not to laugh.

"Perhaps if you had been willing to listen, and let him talk more, you might have liked him better," Polly said.

"No, I wouldn't!" Gwen said, stoutly, "for what little he did say made me mad. Think how rude he was! When I told him my whole _truly_ name was Gwendolen Armitage Harcourt, he just said:

"'H'm! Is that so? Well, my name is Jona Jonathan Ebenezer Montgomery, and that beats your name all hollow.' The lady laughed, but she said: 'Don't tease the little girl. That is not your name at all. Why not tell her what your real name is?'

"He didn't do it. He just said: 'Oh, bother!' and ran out doors. I didn't like the boy, but the big room seemed duller after he went out, so after a while I slipped out, and when I saw you two talking, I came over here. What were you talking about?"

"We were talking about the fine times we'll have at Cliffmore this Summer," Polly said, "and we can hardly wait to enjoy them."

"I'd not care to go there," Gwen said, with a toss of her head.

"Well, then," said Rose, "it's lucky you don't have to go there."

"Yes, isn't it?" Gwen said, cheerfully. "I could if I wanted to. Mamma will go wherever I wish, that is if I just act horrid enough."

"Why, what do you mean?" Polly asked, and Gwen laughed.

"You're funny girls," she said. "Don't either of you know that the way to get your own way is to scream and be just as horrid as you can until your mamma 'gives in?'"

"I'd not care to act like that," Princess Polly said, and Rose said: "Neither would I."

"Well, I want my own way, all the time and everywhere, and that's the way I get it," declared Gwen, and she danced off down the avenue, humming as cheerfully as if she had told of doing pleasant things.

"Isn't it queer'?" Rose said. "Gwen tells of being disagreeable, as if she felt proud of it."

"Mrs. Harcourt does the same thing," said Primrose Polly. "She's always telling of horrid pranks, and rude things that Gwen says, and she tells them as if she thought Gwen very smart to act so. It isn't odd that Gwen behaves so badly, for she likes to act just perfectly horrid. She says so, and if she thinks her mamma likes it, what is there to make her stop?"

"And Uncle John says, oh, I'd not tell exactly what he says, but he said only yesterday that he could not understand how any woman could let her little daughter grow up like a weed. He said Gwen was pretty to look at, but as unpleasant as a nettlebush. I'd not like anyone to say that of me," Rose said.

"Well, no one ever would say that about you," Polly said lovingly.

"Nor you," replied Rose.

Then, their arms clasping each other, they slipped down the sidewalk.

It was but a few days longer that they must wait before sailing to Cliffmore.

The year before, they had made the trip by train, but this time they were intending to go a short distance by rail, and then, on Captain Atherton's yacht, complete the trip by water. It would be a delightful sail, and as every member of the party loved the water, it was sure to be a merry little sailing trip down the bay.

Gwen Harcourt had not spoken truthfully when she had said that she would not wish to go to Cliffmore. Indeed, that very morning she had used her unpleasant method in an effort to coax her mother to go to Cliffmore, and for the first time in her little life, it had not worked.

She had heard from Polly, Rose, and Sprite of the pleasure that they had enjoyed there, and she had at once decided that no other place could be as delightful.

"I guess I can go there as well as they can," she had whispered to herself, and then, running up to the big living room she had first asked, then coaxed, and there, as a final effort, had screamed for a half hour. Mrs. Harcourt would, as usual, have quickly agreed at once to spend the Summer as Gwen wished, but it happened that other plans already made, rendered it impossible. The silly woman offered everything that she could think of to pacify Gwen, but Gwen declared that nothing would make up to her for the refusal to go to Cliffmore.

Then when she found her screaming wholly useless, she dried her eyes, and rushed out and down the avenue to tell Polly and Rose that she would not care to go there.

If she had waited a day longer to tell them it would have been as well, because Mrs. Harcourt, lest the disappointment might be too hard for Gwen, had, at great inconvenience, changed her plans, and on the following day she told Gwen that Cliffmore would be their summer home.

Gwen did not rush out this time to tell the news.

Had she not just said that she would not care to go there?

"I'll say nothing about it, and when they get to Cliffmore, they'll be s'prised to find me there, but I'll act as if I'd known all along that I'd be there," thought Gwen.

Mrs. Harcourt and Gwen went the next day, and thus it happened that when the "Dolphin" sailed up to the pier, the first person that Rose and Polly saw was Gwen, sitting high on the top of a tall post! It was a most successful surprise.

"Hello!" she cried, with impish laughter, "I got here 'fore you did!"

"Why so you did," Polly replied. "When did you come?"

"Oh, I've been here some time," she said, laughing again.

"Well, you've not been here a month, Gwen Harcourt!" said Rose. "It was only three days ago that you were in Avondale, and you said then that you'd not care to go to Cliffmore!"

"Well, I didn't go," cried Gwen, "I've _come_, and I'm going to stay!"

Of course Sprite had come to meet them, and as the three walked up the pier they saw that Gwen made no attempt to follow.

She wished them to know that she was at Cliffmore, but having enjoyed their look of surprise, she preferred to keep her position on the post.

It was so conspicuous that she knew that everyone coming up from the boats would surely see her, and beside that pleasure, she could stare at all the arrivals. Oh yes, her perch on the post delighted her.

Not satisfied with staring at the people, she commenced to make remarks about them as they passed. As her remarks were largely directed at their clothes, they were not much pleased.

"Oh, what big feet!" she said, when a big woman passed her, and to another she said: "What a funny hat."

A fat man turned to frown at her when she said: "My! He must weigh a ton," and a girl with long red braids blushed hotly when Gwen cried:

"Red! Red! Fire! Fire!"

Her mother would have thought any other child uncouth and ill-bred, if she did any one of the many outrageous things that Gwen was always doing. In Gwen she thought it bright and smart, and Gwen held the same opinion, but a young sailor, happening along just in time to hear her say something about a Jack Tar, that was not quite pleasing, stopped for an instant, and looked into her bold, blue eyes.

"Do you know what you need, you little Monkey?" he cried. "You need to have someone give you a big ducking, and then you'd learn not to be so smart."

Gwen was too frightened to speak. She thought the sailor meant to give her the ducking that he said she needed, and she turned so pale that he let go his hold upon her, leaving her still sitting upon the post, but as he turned to go he shook his finger at her.

"Not another word, sissy, or someone'll duck you, if I don't," he said.

A long time she sat motionless upon the post until not only the sailor, but all of the people had left the pier. Then, looking cautiously around to learn if anyone was near, she slipped to the ground, and ran at top speed toward the hotel where she told a most remarkable tale of the sailor's rudeness to her, winding up by telling that he had been so mean as to duck her.

"My dear little Gwen!" said her fond mamma.

"Her serge frock seems rather dry for one that has just been plunged into the water," said a lady who sat near them on the piazza.

"Oh, look at her shoes! They're dry too!" cried a small boy. "Say! When did you get your ducking?"

"You stop laughing, Max Deland!" cried Gwen. "I guess I could tell whether he ducked me or not better than you could, for you weren't there!"

"Oh, yes, you could _tell_!" cried the small boy, "but it might not be so, for all that, Gwen Harcourt."

Mrs. Harcourt rose quickly, and taking Gwen by the hand, left the piazza, and went up to her room.

"Strange that any woman would be so foolish as to credit a yarn like that even if it is her own child that tells it," said the lady who had spoken of the dry frock that Gwen declared had just been plunged into water.

"Yes, it is strange, but I've known other women who were nearly as blind to their children's faults," her friend replied.

"The child is really pretty, but so bold, and pert that although she arrived less than a week ago, there is not a guest at this hotel who does not feel relieved when she leaves the piazza. Only think," the lady continued, "she was out here this morning, sitting in that big chair that old Mr. Pendleton likes to have. He's ill, and Gwen knew that he came out expecting to sit in it, but she looked up at him, and did not stir. 'Gwen, dear,' Mrs. Harcourt said; 'I think Mr. Pendleton would like that chair.' 'Well, I like it, and I'm going to keep it,' Gwen said, swinging her legs, and settling back in the chair. 'You really musn't mind her,' Mrs. Harcourt said.

"'I don't intend to,' he said, and Mrs. Harcourt looked as if she wondered what he meant."

Captain Seaford sitting in the sun, and mending nets, was aware that something was causing great, and unusual excitement in his house.

He sat just outside the door, but the sound of hurried footsteps, of eager conversation, of furniture being moved about, betokened something disturbing in the atmosphere.

"Comp'ny coming, or some kind o' storm brewing!" he muttered with a knowing wink, although no one was near to see the comical grimace.

Mrs. Seaford, usually calm and cheerful, now appeared in the doorway, a frown puckering her forehead, and a troubled look in her eyes.

"I've been over to the village," she said, "and while I've been gone, someone has been through the house, opened every drawer, pulled out the contents and strewn them on the floor, and made a general mess that I've worked an hour to clear up. Have you noticed anyone around the place?"

"Haven't seen a soul," declared the Captain, "and I've been busy right here since before you went out.

"Seems to me I did hear someone moving about at one time, but I'm not even sure of that."

"Well, whoever it was managed to move about enough to make work for me to clear up," Mrs. Seaford said.

"There's only one door to this house so how could anyone get out without passing me? You must surely be mistaken."

"The person, whoever it was, didn't care to pass you coming in, or going out of the house, so climbed through the window. On his way out, he knocked some plants from the window-sill. Nothing has been stolen, so I can't see the object in ransacking the house."

"'Taint poss'ble you're nervous, and imagine someone's been in, is it?" he asked, anxiously scanning her face.

"Imagine?" Mrs. Seaford said. "Well, come in, and see what you think. I've cleared the worst of it, but here's enough left to convince you."

He dropped the net on the sand, and went in. One look was enough.

"What in the world----!" he said, and no more, but his face spoke volumes.

It remained a mystery. Who would care to disturb the contents of the odd dwelling of the Seafords? Not a thief, surely, for it was well known that while the genial Captain had, at one time, been well to do, he had, for the past few years, had a struggle for existence. The old ship's hulk, inverted, and furnished for a home, held but one treasure, love, and that, priceless as it was, could not be stolen.

Who was the intruder? How had he come, and how had he vanished?

Dwellers at Cliffmore talked of it, at their homes, at church, and on the beach, but no one could give the slightest clue that might help in detecting the intruder.

Excitement usually lasted regarding one matter until another subject was suggested, when the villagers would turn with fresh interest to the latest bit of news.

Generally, it was a happening of small importance, that gained its prominence from having been frequently described, but one morning something occurred that shook the little fishing village, as Captain Seaford said, "from stem to stern."

When Mrs. Wilton, the housekeeper at Captain Atherton's Summer home, "The Cliffs," arose early one morning, she noticed that the Captain had forgotten the French window that opened on the porch. It evidently had been open on the evening before, and, by an oversight, had remained open all night. At a glance she saw that someone had been through the lower part of the house.

Drawers were wide open, their contents strewn upon the floor.

Flowers had been taken from the large jars that held them, and left with their wet foliage and stems lying upon the polished table.

Delicate pieces of china had been lifted from the lower shelves of the china closet, and placed upon the table, the window seats, and even the piano boasted two dainty cups that the visitor, whoever it might be, had placed upon the keyboard.

"Nothing is stolen," the housekeeper said, in reporting the mischief to Captain Atherton, "and all the queer doin's are on the first floor. Do you see that it looks as if the same person that went all over Captain Seaford's house, has been roving through this one? Nothing was stolen there, but everything had been handled and pulled around."

"I'll go out into the garden and think it over," he replied.

He left the house, but as he reached the lower step that led from the piazza he saw that the bold intruder, not satisfied with the mischief perpetrated in the house, had tried his hand at the garden. Beautiful plants had been lifted from their pots and thrown onto the walk, the hose lay beside them, running a stream, the fountain had been set running, and an old broom, used by the gardener, to sweep the walks, lay in the lower basin of the fountain.

The housekeeper followed him out onto the piazza.

"If you please, sir, I'd like just to say that I locked every door and window, except the one that opens onto this piazza, from the library. I went upstairs, knowing that you were still reading, and thinking you'd like that window open 'til you went to your room for the night, when you'd be sure to shut and lock it."

John Atherton nodded, and walked along the path. He knew that the housekeeper was anxious to shift all responsibility from her broad shoulders onto his.

"I guess I left that French window open, so that fault is mine, but who would be interested to rove through a home, pulling things to pieces, and making disorder, solely for the fun of doing it? Whoever it is, does not care to rob. It's a puzzle that must be looked into."

The first chapter of Princess Polly At Play establishes a summer at Cliffmore as the central promise of the story. The opening lines—'A Summer at Cliffmore! Princess Polly and Rose Atherton could think of little else'—immediately set a tone of eager anticipation. The narrative voice is warm and direct, drawing readers into the girls' shared excitement. The excerpt quickly introduces key elements: the seaside setting, the friendship between Polly and Rose, and the character Sprite, whose home is a ship's hulk turned upside down. This unusual dwelling is described as 'cosey,' a word that hints at the story's affectionate, slightly whimsical tone. The opening thus orients readers toward a world of seaside play and close-knit relationships, with the promise of adventure and domestic comfort intertwined.

The Seaside Setting as a Character

The excerpts repeatedly emphasize the shore as a place of freedom and delight. Polly and Rose 'loved the shore,' and the salt air is described as 'delightful.' The beach is a 'lovely place on which to romp.' This is not merely backdrop; the setting shapes the plot. Sprite's house—a ship's hulk—is a tangible symbol of the seaside life, and the children's memories of playing mermaid on the rocks reinforce the imaginative possibilities of the coast. The wedding later takes place at Cliffmore, chosen by the bride because 'let it be at Cliffmore.' The sea is thus a constant presence, from the yacht Dolphin to the sandy paths Gwen walks. Readers should note how the environment influences the characters' moods and activities, making the setting integral to the story's charm.

The Wedding as a Narrative Pivot

The wedding of Iris Vandmere and Captain Atherton occupies a central place in the excerpts. It is described with fairy-tale language: 'like a dream of Fairyland,' 'like an old time feast.' The ceremony itself is detailed—the floral arch, the blue satin gown, the attendants in pink and white. This event serves as a turning point: after the wedding, Rose goes to live with Polly while her uncle and new aunt are away. The wedding also introduces adult relationships into the children's world, but the focus remains on the girls' perspective. Rose is 'delighted to stay with Princess Polly,' and the new aunt is 'sweet.' The narrative does not dwell on adult emotions but on how the event affects the children's routines and friendships. For a first reader, this section signals a shift from summer play to a more settled, domestic arrangement.

Character Dynamics: Gwen and Max

Gwen is introduced in the later excerpt as a character who 'had quarreled with Max' and is 'always either vexed with him or just making up.' This pattern of conflict and reconciliation is presented matter-of-factly, with the observation that 'no one could ever guess which had happened, because Gwen looked quite as cheerful after a disagreement.' This suggests a volatile but ultimately stable friendship. Gwen's impatience is shown through her hurried walk and her pert reply to the housekeeper. Her interaction with Mrs. Wilton reveals a streak of defiance. These details give Gwen a distinct personality, contrasting with the more placid Polly and Rose. Readers may watch for how Gwen's impulsiveness drives future incidents, especially given the chapter title 'What Max Did' and 'What Max Found,' which hint at plot developments involving the boy.

Narrative Voice and Structure

The prose is straightforward and conversational, with frequent use of exclamation points and direct statements of feeling: 'Oh, but it was cosey!' or 'How lovely!' The narrator often steps in to explain characters' thoughts, as when Polly and Rose 'could think of little else' about the summer. The chapters are short and titled with simple phrases like 'Polly, Rose and Gwen' or 'Little Sea Nymphs,' which give a clear sense of content. The story moves from anticipation to event (the wedding) to a new arrangement (Rose staying with Polly). The excerpts suggest a linear, episodic structure typical of early 20th-century children's fiction. Readers should expect a series of linked adventures rather than a single plot, with the seaside and friendship as unifying threads.

As you read Princess Polly At Play, pay attention to how the author uses small details—a string of coral, a ship's hulk house, a gate that clangs—to build a vivid, child-centered world. The story moves at a gentle pace, with moments of excitement balanced by everyday play. The excerpts offer a clear entry point: the promise of summer fun, the warmth of friendship, and the quiet drama of a wedding. Let these early pages guide your expectations for a tale that values atmosphere and character over fast action.

Reading about Princess Polly’s seaside wedding made me think of my grandmother’s copy of The Man with the Pan-Pipes, and Other Stories — Story, Setting & Ideas, which I’d curl up with on rainy afternoons. Both books share that gentle, unhurried rhythm—not much happens, yet everything feels settled. That same quiet contentment stayed with me long after the last page turned.

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  • ...
    Amy Berger - 1 month ago
    Princess Polly At Play is a charming and lively read that perfectly captures the imagination and energy of a young girl. The adventures are delightful, and the writing is engaging from start to finish. My daughter couldn't put it down and was inspired to create her own games afterward. A wonderful addition to any child's bookshelf.

  • ...
    Jenny Schmidt - 2 weeks ago
    The book has a sweet, playful tone that will appeal to young readers, and the story moves at a good pace. However, some of the language feels a bit dated, and modern kids might need help with a few older expressions. Still, it's a pleasant, wholesome read that encourages creativity.

  • ...
    Christopher Torres - 5 days ago
    While the idea behind Princess Polly At Play is sweet, the execution falls flat. The characters lack depth, and the plot feels repetitive with little real conflict. It reads more like a series of random episodes than a cohesive story. Young readers might lose interest quickly, and parents may find it forgettable.


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