Small Means and Great Ends — Reading Notes

(9 User reviews)   1934
Adams, M. H. (Mary Hall), 1816-1860 [Editor] Project Gutenberg 2004
Christian life -- Juvenile fiction; Children's poetry; Conduct of life -- Juvenile fiction; Children's stories; Children -- Conduct of life -- Juvenile fiction Readers of public-domain and historical texts
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Edition facts

Words: 33,772
Reading time: 147 min
Text sections: 5
This 1851 children's annual, edited by Mrs. M. H. Adams, collects stories, poems, and moral lessons. The opening tale, 'Small Means and Great Ends,' introduces Eliza Melvyn's discontent, while later pieces like 'The Boy Who Stole the Nails' and 'The Childless Mother' explore guilt, grief, and redemption through precise, emotional vignettes.
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Never were children so frolicsome and mirth-loving as were Emma and Anna Wilson, the daughters of the minister. Not the grave admonitions of their mother, or the severe reproofs of their stern father; not their many confinements in dark and windowless closets, or the memory of afternoons, when, supperless, they had been sent to bed while the sun was yet high in the heavens; not the fear of certain punishment, or the suasion of kindness, could tame their wild natures, or force them into anything like woman-like sobriety. Hand in hand, they would wander amid the aisles of mossy-trunked trees, plucking the flowers that carpeted the earth; now digging for ground-nuts, now turning over the leaves for acorns; sometimes they would watch the nibbling squirrel as he nimbly sprang from tree to tree, or overpower, with their boisterous laughter, the gushing melody of the bobolink; they mocked the querulous cat-bird and the cawing crow, started at the swift winging of the shy blackbird, and stood still to listen to the sweet song of the clear-throated thrush; now they bathed their feet in the streamlets that went singing on their way to the Connecticut, and then, throwing up handfuls of the running water, which fell again upon their heads, they laughed right merrily at their self-baptism. They were happy as the days were long; but wild as their playfellows, the birds, the streams, and the squirrels.

One beautiful Sabbath morning in July, their mother dressed them tidily in their best frocks, and tying on their snow-white sun-bonnets, she sent them to church nearly an hour before she started with their father, that they might walk leisurely, and have opportunity to get rested before the commencement of services. But it was not until near the middle of the sermon that the little rogues made their appearance. With glowing faces, hair that had strayed from its ungraceful confinement to float in golden curls over their necks and shoulders,--with bonnets, shoes and stockings tied together and swinging over each arm,--with dresses rent, ripped, soiled and stained, and up-gathered aprons filled with berries, blossoms, pebbles, fresh-water shells and bright sand, they stole softly to where their mother was sitting, much to her mortification, and greatly to the horror of their pious father.

For this offence, they were forbidden to accompany their parents, on the next Sabbath, to church, but were condemned to close confinement in the house during the long, bright, summer day--a severer punishment than which, could not have been inflicted. When the hour of assembling for worship was announced by the old English clock that stood in the corner, the curtains were drawn before the windows; two bowls of bread and milk were placed on the dresser for their dinner; a lesson in the Testament was assigned to Emma, and one in the Catechism to Anna; a strict injunction to remain all day in the house was laid upon both, and Mr. and Mrs. Wilson departed, locking the door, and taking the key. The children soon wiped away the tears that their hard fate had gathered in their eyes, and applied themselves to their tasks, which were speedily committed. Then the forenoon wore slowly away; they dared not get their playthings,--they were forbidden to go out doors,--and the only books in the room were the Bible, Watts' Hymns, and the Pilgrim's Progress, which lay on the highest shelf in the room, far beyond their reach. Noon came at last; the sun shone fully in at the south window, betokening the dinner hour, and then their dinner of bread and milk was eaten. What were they next to do? Sorrowfully they gazed on the smiling river, the green corn-fields, the large potato-plats, the grazing cattle, the blooming flower-beds, and the shady walks which led far into the cool recesses of the forest; and earnestly did they long for liberty to ramble out in the glorious sunshine. As they were gazing wistfully through the window, they saw their playful little kitten, Fanny, dart like lightning from her hiding-place in the garden, where she had long lain in ambush, and fasten her sharp claws in the back of a poor little ground-bird, which had been hopping from twig to twig, chirping and twittering very cheerfully. The little bird fluttered, gasped, and uttered wailing cries, as it ineffectually labored to free itself from the power of its captor, until Emma and Anna, unable longer to witness its distress, sprang out the window, and, rushing down the garden, liberated the little prisoner, and with delight saw it fly away towards the woods.

Delighted to find themselves once more in the open air, the joyful children forgot the prohibition of their parents, and leaping over the dear little brook with which they loved to run races, they filled their aprons with the blue-eyed violets that grew on its margin. On they bounded, further and further, and a few moments more found them in the dense wood, where not a sunbeam could reach the ground. But suddenly the leaves rustled behind them, and the twigs cracked, and there sprung, from an ambuscade in the thicket, the tall figure of an Indian, who laid a strong hand on the arm of each little girl, and, despite the cries, tears, and entreaties of the poor children, hurried them deeper into the forest, where they found a large body of these cruel savages, clad in moose and deer skins, armed with bows and arrows, tomahawks, and muskets. The children were questioned concerning the village, the occupation of the inhabitants on that day, and the number of men at home, and they replied correctly and intelligibly. A consultation was then held among the Indians, which resulted in a determination to attack the village; and forthwith, leaving but one behind to guard the little prisoners, they made a descent on the quiet settlement, burning and ravaging buildings on their way to the church. But they did not find the body of worshippers unarmed, as they doubtless expected; for, in those days of peril and savage warfare, men worshipped God armed with musket and bayonet, and the hand that was lifted in prayer to heaven would often, at the next moment, draw the gleaming sword from its sheath. At the meeting-house, the savages met with a warm repulse; and were so surprised and affrighted that they retreated back into the wild woods, after wounding but one or two colonists, among whom was Mr. Wilson, Emma's and Anna's father.

The Indians commenced, about dark, a journey to the settlement where they belonged, taking the stolen children with them; they reached their destination early on the second day of their travel. Rough, indeed, seemed the Indian village to the white children: the houses were only wigwams, made by placing poles obliquely in the ground, and fastening them at the top, covered on the outside with bark, and lined on the inside with mats; some containing but one family, others a great many. The furniture consisted of mats for beds, curiously wrought baskets to hold corn, and strings of wampum which served for ornaments. Into one of the smallest of these wigwams Emma and Anna were carried, and were given to the wife of one of the chief warriors, who had but one child of her own,--Winona was her name, which signifies the first-born,--a bright-eyed, pleasant, winning little girl of two years of age. The mother scrutinized them closely, but the child appeared overjoyed to see them, and wiped away their tears with her little hand, and, jabbering in her unknown language, seemed begging them not to cry. This interested the mother, and she soon looked more kindly upon them, and set before them food. But they were too sorrowful to eat, and were glad to be shown a mat, where they were to sleep. Locked in each others' arms, cheek pressed to cheek, they lay and wept as if their hearts were broken.

"Let us pray to God," whispered Emma, after the inmates of the wigwam were reposing in slumber, "and ask Him to bring us again to our father and mother."

So they rose, and knelt in the dark wigwam, with their arms about one another's necks, and their tears flowing together, and offered to God their childish prayer:

"Our Father in Heaven, love us poor children; take care of us; forgive us for doing wrong, and help us be good; take care of our dear parents; comfort them, and bring us again to meet them."

Then, more composed, and trusting in the blessed Father of us all, they fell asleep, and sweet were their slumbers, though far from their dear parents and home, for angels watched over them, and gave to them happy dreams.

A few days' residence among these untutored red men made Emma and Anna great favorites among them; their pleasant dispositions, their good nature, and, above all, their love for the little Winona, which was fully reciprocated, endeared them to the father and mother of the Indian girl. Though sad at being separated from their parents, and though they often wept until they could weep no longer when they thought of home, yet their hearts, like those of all children, were easily consoled, and their spirits were so elastic that they could not long be depressed. Winona loved them tenderly; at night she slept between them, and during the day she would never leave them. She wore garlands of their wreathing, listened to their English songs, stroked their rosy cheeks, and frolicked with them in the woods, and beside the running brooks.

Two months passed away; all the Indian women in the village were speaking of the love that had sprung up between the little white girls and the copper-colored Winona; and many a hard hand smoothed the golden curls of the little captives in token of affection. Then Winona was taken sick; her body glowed with the fever-heat, her bright eyes became dull, and day and night she moaned with pain. With surprising care and tenderness, Emma and Anna nursed the suffering child,--for to them were her glowing and burning hands extended for relief, rather than to her mother. They held her throbbing head, lulled her to sleep, bathed her hot temples, moistened her parched lips, and soothed her distresses; but they could not win her from the power of death--and she died!

Oh, it was a sorrowful thing to them to part with their little playmate,--to see the damp earth heaped upon her lovely form, and to feel that she was forever hidden from their sight! They wept, and, with the almost frantic mother, laid their faces on the tiny grave, and moistened it with their tears. Hither they often came to scatter the freshest flowers, and to weep for the home they feared they would never again see; and here they often kneeled in united prayer to that God, who bends on prayerful children a loving eye, and spreads over them a shadowing wing.

The childless Indian woman now loved them more than ever; but the death of Winona had opened afresh the fountains of their grief, and often did she find them weeping so bitterly that she could not comfort them. She would draw them to her bosom, and tenderly caress them; but it all availed not, and when the month of October came, with its sere foliage and fading flowers, Emma and Anna had grown so thin, and pale, and feeble, from their wearing home-sickness, that they stayed all day in the wigwam, going out only to visit Winona's grave. They drooped and drooped, and those who saw them said, "The white children will die, and lie down with Winona."

The Indian mother gazed on their pallid faces, and wept; she loved them, and could not bear to part with them; but she saw they would die, and calling her husband, she bade him convey them to the home of their father. Many were the tears she shed at parting with them; and when they disappeared among the thick trees, she threw herself, in an agony of grief, upon the mats within the wigwam.

It was Sabbath noon when the children arrived in sight of their father's house; here the Indian left them, and plunged again into the depths of the forest. They could gain no admittance into the house, and they hastened to the meeting-house, where they hoped to find their parents. They reached the church; the congregation was singing; silently, and unobserved, they entered, and seated themselves at the remotest part of the building. The singing ceased; there was a momentary pause, and their father rose before them. Oh, how he was changed! Pale, very pale, thin and sad was his dear face; and Emma's and Anna's hearts smote them, as being the cause of this change. They leaned forward to catch a glimpse of their mother, but in her accustomed seat sat a lady dressed in black, and this, they thought, could not be her; they little supposed that their parents mourned for them as for the dead, believing they should see them no more.

Mr. Wilson took his text from Psalms: "It is good for me that I have been afflicted." With a tremulous voice, he spoke of their recent afflictions; of the sudden invasion of the colony, the burning of their dwellings, the wounding of some of their number, and then his tones became more deeply tremulous, for he spoke of his children. The sobs of his sympathizing people filled the house, and the anguish of the father's feelings became so intense, that he bowed his head upon the Bible and wept aloud. The hearts of the children palpitated with emotion; their sobs arose above all others; and, taking each other by the hand, the wan, emaciated, badly-dressed little girls hastened to the pulpit, where stood their father, with his face bowed upon the leaves of the Holy Book, and laying their hand upon his passive arm, they sobbed forth, "Father! Father!" He raised his head, gazed eagerly and wildly upon the children, and comprehending at once the whole scene, the revulsion of feeling that came over him was so great,--the sorrow for the dead being instantly changed into joy for the living,--that he staggered backwards, and would have fallen but for the timely support of a chair.

The whole house was in instant confusion; in a moment they were clasped in their mother's arms, and kisses and tears and blessings were mingled together upon their white, thin cheeks. "Let us thank God for the return of our children," said the pastor; and all kneeling reverently, he thanked our merciful heavenly Father, in the warm and glowing language of a deeply grateful heart, for restoring to his arms those whom he had wept as lost to him forever.

Oh, there was joy in that village that night again and again the children told their interesting story, and those who listened forgot to chide their disobedience, or to harshly reprove. Need I tell you how they were pressed to the bosoms of the villagers; how tears were shed for their sufferings, and those of the little lost Winona, whom they did not forget; how caresses were lavished upon them, and prayers offered to God, that their lives, which he had so wonderfully preserved, might be spent in usefulness and piety? No, I need not, for you can imagine it all.

The sermon which was so happily interrupted by the return of the children was the first Mr. Wilson had attempted to preach since the day they were stolen; the wounds he that day received, and the illness that immediately afterwards ensued, with his unutterable grief for the loss of his children, had confined him mostly to his bed during their absence. On the next Sabbath, Emma and Anna accompanied their father and mother once more to church, when Mr. Wilson preached from these words: "Oh, give thanks unto the Lord, for he is good, and his mercy endureth forever."

MY GRANDMOTHER'S COTTAGE.

Of all places in the wide world, my own early home excepted, none seem to me more pleasing in memory than my grandmother's cottage. Very often did I visit it in my boyhood, and well acquainted with its appearance within, and with almost every object around it, did I become. It stood in a quiet nook in the midst of the woods, about five miles from the pleasant seaport where I was born. The cottage was not a spacious one. It had but few rooms in it; but it was amply large for my aged grandparents, I remember. They lived happily there. My grandfather was somewhat infirm; my grandmother was a very vigorous person for one of seventy-five; this was her age at the time of my first recollection of her. She used to walk from her cottage to our home; and once I walked with her, but was exceedingly mortified that I could not endure the walk so well as she did.

I used to love this cottage home, because it was so quiet, and in the summer time so delighting to me. I believe I received some of my very first lessons in the love of nature in this place. It was a charming summer or winter retreat. If the sun shone warmly down anywhere, it was here. If the wind blew kindly anywhere, it was around the snug cottage, sheltered as it was on every side by the tall old pines. If the robin's note came earliest anywhere in the spring-time, it was from the large spreading apple-tree just at the foot of the little garden lot. How often has my young heart been delighted with his song there! And then, what sweet chanting I have heard in those woods all the day from the thrush and sparrow, yellow-bird and oriole! How their mellow voices would seem to echo in the noon-silence, or at the sunset hour, as though they were singing anthems in some vast cathedral! They were; and what anthems of nature's harmony and praise! God heard them, and was glorified.

It seemed to me that every animate thing was made to be happy. I loved to stand beneath a tall old hemlock in a certain part of the wood, and watch the squirrels as they skipped and ran so swiftly along the wall, or from branch to branch, or up and down the trees. Their chattering made a fine accompaniment to the bird-songs. And here I learned to indulge a fondness for the very crows, which to this day I have never outgrown. Though they have been denounced as mischievous, and bounties have been set upon them, I never could find it in my heart to indulge in the warring propensity against them. They always seemed to me such social company--issuing from some edge of the woodland, and slowly flapping their black wings, and flocking out into the clearing, huddling overhead, and sailing away, chatting so loudly and heartily all the while, and reminding the whole neighborhood that when we have life, it is best to let others know it! Yes--the cawing crows have been company for me in many a solitary ramble; and whenever I hear them, I inwardly pay my respects to them. All these, and other familiar sights and sounds, did I richly enjoy at the old cottage in the woods.

I loved to sit at the shed-door, and watch my grandfather at his slow work; for he had been a mechanic in his day, and was able to do a little very moderately at his trade now. He would tell me the history of the old people in the neighborhood, and of the customs and fashions when they were boys and girls; and my eyes and ears were open to hear him. I used to wish I could see them just as they looked when they were children. It was very difficult then for me to imagine how those who had become so wrinkled could ever have had the smooth faces of infants and children. But my grandfather could remember when he was a boy; and his father had told him what things were done when he, too, was a boy. And so I concluded that wrinkles were no disgrace, nor the fairest faces of the young any protection against them.

The volume opens with a direct, discontented cry: “Oh! how I do wish I was rich!” Eliza Melvyn, a sewing girl, envies a wealthy neighbor. Her mother’s gentle reply—taking her hand and pushing back her curls—sets a pattern of intimate, corrective dialogue. The editor, Mrs. M. H. Adams, frames the collection as an “Annual” for young readers, with a preface thanking contributors and acknowledging that many articles could not fit. The title story, by Julia A. Fletcher, immediately establishes a tension between material want and spiritual sufficiency, a theme echoed across the table of contents.

From Discontent to Instruction

The opening story, “Small Means and Great Ends; or, The Widow’s Pot of Oil,” uses Eliza’s envy to launch a moral lesson. Her mother’s response—taking her hand “gently within her own”—shows a pattern of physical tenderness paired with verbal correction. The narrative voice shifts between Eliza’s raw emotion and the mother’s calm reasoning, creating a dialogue that models how a child might be guided. The preface reveals that the editor had more material than could be used, suggesting a deliberate selection of pieces that reinforce this instructional tone. Readers should note how the first story’s title phrase recurs in the collection’s name, hinting at a unifying principle: small acts or means lead to greater spiritual ends.

Guilt and Memory in “The Boy Who Stole the Nails”

A later excerpt recounts a first-person confession of theft. The narrator recalls stealing nails and the lasting shame: “I have not, indeed, from that to the present hour, felt the least temptation to commit any wrong of the kind without recalling it.” The story hinges on a single act and its decades-long echo. The phrasing “clear and distinct, to my recollection” emphasizes how memory becomes a moral tool. Unlike the opening tale’s external dialogue, this piece turns inward, using the narrator’s older voice to reflect on a childhood mistake. The lesson is explicit: readers are told that remembering the story will prevent similar offenses. This direct address to “my young readers” is a recurring technique in the collection.

Grief and Repetition in “The Childless Mother”

Mrs. M. H. Adams’s own contribution, “The Childless Mother,” shifts from moral instruction to emotional portrayal. Ellen Moore loses four children, and the narrative dwells on her physical responses: “tears seemed to burn their way down her cheeks,” and she “walked her house” moaning. The story repeats the pattern of loss and partial recovery—after the first death, she becomes calm but “ever a sadness in her voice”; after the second, she cannot weep until a friend places a rosebud in the coffin. The detail of the flower “unsealing” her tears is a precise, sensory image. The piece avoids easy resolution, ending with Ellen speaking “cheerfully” but changed. This section shows the collection’s range, from direct moralizing to nuanced grief.

Structure and Reader Expectations

The table of contents lists 28 pieces, mixing stories, poems, and titles like “The Snow-Birds,” “May-Day,” and “The Starving Poor of Ireland.” The variety suggests the annual was meant for repeated reading, not linear consumption. The preface notes that some articles are held for “another year,” implying a serialized relationship with readers. The opening story’s title—shared with the book—acts as a thematic anchor, but later pieces diverge in tone and subject. Readers may find it useful to sample a few entries before committing to the whole, noting how the editor balances instruction with sentiment. The physical details—the mother’s hand, the rosebud, the stolen nails—ground abstract morals in tangible moments.

This annual rewards attention to its small, concrete details: a hand on a brow, a flower in a coffin, a remembered theft. The editor’s preface frames the book as an “acceptable offering,” and the contents deliver on that promise through varied voices and situations. Readers interested in 19th-century children’s literature or moral instruction will find a compact example of the genre. Approach the collection as a series of vignettes rather than a unified narrative, and note how each piece uses a specific incident to illustrate a broader lesson.

Reading Small Means and Great Ends, I lingered over Eliza’s quiet discontent, how easily a restless heart overlooks its own small graces. That ache for something more felt achingly familiar—it reminded me of the gentle, wandering tone in The Golden Road — Reading Notes, where ordinary days hold their own quiet weight, waiting patiently to be noticed.

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