The rocky island, and other similitudes — A Reader’s Guide
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Irrgeist was walking quickly on--so quickly that, at the first glance, I thought he would soon be by the side of Gottlieb. But, upon looking more closely, I saw that Gottlieb's steps had been far more steady and even than those with which Irrgeist was pressing on; for Irrgeist's lamp burned but dimly, and gave him no sure light to walk in. Very near to the place where Gottlieb had met with her, the tempter stood beside Irrgeist. He was not looking at his book, as the other had been; and he did not wait to be spoken to; for as soon as he saw the light which played round her figure, he began to speak to her, and asked who she was. She told him that her name was "Pleasure;" and forthwith she shewed to him her crystal cup and fruits; and she brought before the charmed eyes of the wanderer all the gay show with which she had tried before to mislead the faithful Gottlieb. There was the bright sunshine, and the green path, and the waving trees, and the rustling of the wind, and the song of birds, and the sweet resting-shade. Irrgeist looked eagerly at all she shewed him, and in his haste to reach out his hand for the cup, he dropped altogether the trusty staff of "Church-truth." Then the cup seemed to draw away from him, just as it had done from Gottlieb; but he followed thoughtlessly after it. And soon I saw that he left the path upon which he had been set; and though he started suddenly as soon as he was off it, yet it was but a moment's start,--the cup was close before him, the shadowy form led him on, the grass was green, and the trees and the sunlight but a little farther.
And now I saw him drink some of the enchanted water; and as he drank it, his look grew wild, and his cheek burnt like the cheek of one in a fever; and he walked after the deceitful figure with a quicker step than ever: but I saw that his lamp was almost out, that the book of living light had fallen from his hands, and the golden vial hung down, ready, as it seemed, to fall from him altogether.
Still he walked on; and a strange flitting light, from the form which was before him, lightened the darkness of the valley, so that he could pass on quickly; the meadow, also, was smooth and even, and there was a rustling breeze, which played around him: so that he got on faster than he had ever done upon the narrow path, and thought that he was getting well on to his journey's end. Many times did he put forth his hand for the sparkling cup, and drank of it again and again.
But now I saw, as I thought, a strange change which was coming over him; for he drank oftener of the bowl, but appeared each time to find it less refreshing. Sometimes it seemed almost bitter, and yet he could not but take it the very moment he had thrust it from him. The shadowy form, also, before him seemed altogether altering; he looked again, and her beautiful features and pleasant countenance had changed into a sharp, stern, and reproachful frown. His own voice, which had been heretofore almost like one singing, grew sad and angry. The very figure of his guide seemed vanishing from his eyes; the light which floated round her grew wilder and more uncertain, and his own lamp was almost out. He felt puzzled and bewildered, and hardly knew which way to go: he had got into a broad beaten path, and he found that many besides himself were going here and there along it. Sometimes they sang; and, in very bitterness of heart, he tried to sing too, that he might not think: but every now and then, when a flashing light came, and he saw the look of the travellers amongst whom he was, it made his very heart shiver--they looked so sad and so wretched. Now, none went straight on: some turned into this path, some into that; and then he soon lost sight of them altogether. Sometimes he heard fearful cries, as if wild beasts had seized them; sometimes a dreadful burst of flame from the horrid pits which I had seen, made him fear that they had fallen over into them: for poor Irrgeist had got now into the midst of the deep pits and the ravenous beasts. And soon he found how terrible was his danger. He had been following one who had made him believe that he had light to guide his steps; he had gone with him out of the beaten path; and they were pressing on together, when Irrgeist suddenly lost sight of him in the darkness; and whether it was that he had fallen into a pit, or become the prey of some evil beast, Irrgeist knew not; only, he found that he was more alone than ever, and near to some great peril. Poor Irrgeist sprang aside with all his force, thinking only of the danger which he feared; but, feeling his feet slipping under him, he turned, and saw that he had got upon the treacherous brink of a fearful pit; down which, at the very moment, another pilgrim fell. The fierce red flames rose out of it with a roar like thunder, and a blaze like the mouth of a furnace; and the wind blew the flames into the face of Irrgeist, so that he was singed and almost blinded. Then the poor boy called in the bitterness of his heart upon Pleasure, who had led him out of the way, and now had forsaken him; but she came no more--only terrible thoughts troubled him; and he heard the hissing of serpents as they slid along in the bushes near him, and all evil noises sounded in his ears, till he scarcely knew where he was standing. Then he thought of his staff, which he had dropped when Pleasure had first tempted him, and he grieved that it was gone; and he felt in the folds of his mantle, hoping that he might still have the book of light within it; for he had too often thrust it there at the beginning of his journey; but he could not find it. Then he strove to get some light from his little lamp; for, hurt as it was, he had it still in his hand, and he thought there was just a little blue light playing most faintly within it; but this was not enough to direct him on his way, rather did it make his way more dark. Then at last he bethought him of the golden vial. Few were there of those near him but had lost theirs altogether, and his hung only by a single thread. But it was not gone; and when he had striven long, he just drew from it a single drop of oil, and he trimmed his lamp, and it yielded forth a little trembling light, just enough to shew that it was not altogether dead. With the help of this light he saw that when he had dropped his book of fire, one single leaf had been torn from it, and stuck to his mantle; so he seized it eagerly, and strove to draw light from it; but all that it would yield was red and angry-looking light, and all that he could read was, "the way of transgressors is hard."
Poor Irrgeist! he sat down almost in despair, and wept as if his heart would break. "O, that I had never trusted Pleasure;" "O, that I had never left the path;" "O, that I had my book of light, and my lamp's former brightness, and my goodly stick;" "O, that one would lighten my darkness."
Then did it seem to me as if in the murmur of the air around him two voices were speaking to the boy. One was like the gentle voice of the man whom I had seen at the porch of the valley; and it seemed to whisper, "return," "return;" "mercy," and "forgiveness." And as he listened, something like hope mixed with the bitter tears which ran down the face of the wanderer. But then would sound the other voice, harsh, and loud, and threatening; and it said, "too late," "too late," "despair," "despair."
So the poor boy was sadly torn and scattered in his thoughts by these two different voices; but methought, as he guarded his golden vial, and strove to trim his dying lamp, that the gentle voice became more constant, and the voice of terror more dull and distant.
Then, as I was watching him, all at once the boy sprang up, and he seemed to see a light before him, so straight on did he walk: many crossed his path and jostled against him, but he cared not; he heard the sweet voice plainer and plainer, like the soft murmuring of the cushat dove in the early summer, and he would follow where it led. Hitherto his pathway had been smooth, and he had hastened along it; but this did not last, for now it narrowed almost to a line, and ran straight between two horrible pitfalls; so he paused for a moment; but the roaring of a lion was behind him, and forward he pressed. It was a sore passage for Irrgeist, for the whole ground was strewed with thorns, which pierced his feet at every step, and the sparks from the fire-pits flew ever round him, and now and then fell in showers over him. Neither did he hear now the pleasant sound of the voice of kindness; whether it were that it had died away, he knew not, or whether it were that the crackling and roaring of the fierce flames, and the voice of the beasts behind, and his own groans and crying, drowned its soft music, so that he heard it not.
I had looked at him until I could bear it no more; for the path seemed to grow narrower and narrower; the flames from the two pits already almost touched; and I could not endure to see, as I feared I should, the little one, whom I had watched, become the prey of their devouring fierceness. So, with a bitter groan for Irrgeist, I turned me back to the road to see how it fared with Furchtsam and Gehulfe.
They had fallen far behind the others from the first. Poor little Furchtsam had a trembling tottering gait; and as he walked, he looked on this side and on that, as if every step was dangerous. This led him often to look off his book of light, and then it would shut up its leaves, and then his little lamp grew dimmer and dimmer, and his feet stumbled, and he trembled so, that he almost dropped his staff out of his hands. Yet still he kept the right path, only he got along it very slowly and with pain.
Whether it was that Gehulfe was too tender spirited to leave him, or why else, I know not, but he kept close by the little trembler, and seemed ever waiting to help him. Many a time did he catch him by the hand when he was ready to fall, and speak to him a word of comfort, when without it he would have sunk down through fear. So they got on together, and now they came to the part of the pathway which the evil enchantress haunted. She used all her skill upon them, and brought up before their eyes all the visions she could raise; sunshine, and singing-birds, and waving boughs, and green grass, and sparkling water, they all passed before their eyes,--but they heeded them not: once, indeed, poor Furchtsam for a moment looked with a longing eye at the painted sunshine, as if its warm light would have driven off some of his fears; but it was but for a moment. And as for Gehulfe, whether it was that he was reading his book of light too closely, or trimming too carefully his lamp, or helping too constantly his trembling friend, for some cause or other he scarcely seemed to see the visions which the sorceress had spread around him. So when she had tried all her skill for a season, and found it in vain, she vanished altogether from them, and they saw her no more. But their dangers were not over yet. When Gottlieb passed along this road, he had gone on so boldly, that I had not noticed how fearful it was in parts to any giddy head or fainting heart. But now I saw well how it terrified Furchtsam. For here it seemed to rise straight up to a dangerous height, and to become so narrow at the same time, and to be so bare of any side- wall or parapet, that it was indeed a giddy thing to pass along it. Yet when one walked over it, as Gottlieb did, leaning on his staff of Church- truth, reading diligently in his book, and trimming ever and anon his lamp, such a light fell upon the narrow path, and the darkness so veiled the precipice, that the pilgrim did not know that there was any thing to fear. But not so when you stopped to look--then it became terrible indeed; you soon lost all sight of the path before you; for the brightest lamp only lighted the road just by your feet, and that seemed rising almost to an edge, whilst the flash of distant lights here and there shewed that a fearful precipice was on each side.
Furchtsam trembled exceedingly when he looked at it; and even Gehulfe, when, instead of marching on, he stopped to talk about it, began to be troubled with fears. Now, as they looked here and there, Furchtsam saw an easy safe-looking path, which promised to lead them in the same direction, but along the bottom of the cliffs. Right glad was he to see it; and so taking the lead for once, he let fall his staff, that by catching hold of the bushes on the bank, he might drop down more easily upon the lower path; and there he got with very little trouble.
It was all done in a moment; and when he was out of the path, Gehulfe turned round and saw where he was gone. Then he tried to follow after him; but he could not draw his staff with him through the gap, or climb down the bank without letting it go. And, happily for him, he held it so firmly, that after one or two trials he stopped. Then, indeed, was he glad, as soon as he had time to think; and he held his good stick firmer in his hand than ever, for now he saw plainly that Furchtsam was quite out of the road, and that he had himself well-nigh followed him. So leaning over the side, he began to call to his poor timid companion, and encourage him to mount up again, by the bank which he had slipped down, and venture along the right way with him. At first Furchtsam shook his head mournfully, and would not hear of it. But when Gehulfe reminded him that they had a true promise from the King, that nothing should harm them whilst they kept to the high way of holiness, and that the way upon which he had now entered was full of pitfalls, and wild beasts, and every sort of danger, and that in it he must be alone,--then his reason began to come back to him, and Furchtsam saw into what an evil state he had brought himself; and with all his heart he wished himself back again by the side of Gehulfe. But it was no such easy matter to get back. His lamp was so bruised and shaken as he slid down, that it threw scarcely any light at all; while it had never seemed, he thought, so dark as it did now: he could not see the bushes to which he had clung just before, or the half path which had brought him down. Gehulfe's voice from above was some guide to him, and shewed him in which direction to turn; but when he tried to mount the bank, it was so steep and so slippery, he could scarcely cling to it; and he had no staff to lean upon, and no friendly hand to help him. Surely if it had not been for the kind encouraging voice of Gehulfe, the weak and trembling heart of Furchtsam would have failed utterly, and he would have given up altogether.
Now, just at this time, whilst he was reaching out to Furchtsam, and urging him to strive more earnestly, he heard a noise as of one running upon the path behind him; and he looked round and saw one of the King's own messengers coming fast upon it: so when he came up to Gehulfe, he stopped and asked him what made him tarry thus upon the King's path. Then Gehulfe answered very humbly, that he was striving to help back poor Furchtsam into the right way, from which he had been driven by his fears. Then the messenger of the King looked upon him kindly, and bid him "fear not." "Rightly," he said, "art thou named Gehulfe, for thou hast been ready to help the weak; and the Lord, who has bidden his children 'to bear one another's burdens,' has watched thee all alone thy way, and looked upon thee with an eye of love; and forasmuch as thou seemest to have been hindered in thy own course by helping thy brother, the King has sent me to carry thee on up this steep place, and over this dangerous road." With that, I saw that he lifted up the boy, and was about to fly with him through the air. Then, seeing that he cast a longing look towards the steep bank, down which Furchtsam had slipped, and that the sound of his sad voice was still ringing in his ear; the King's messenger said to him, "'Cast thy burden upon the Lord.' 'The Lord careth for thee.' 'For the very hairs of your head are numbered,' and 'the Lord is full of compassion, pitiful, and of great mercy.'" So the heart of Gehulfe was soothed, and with a happy mind he gave himself to the messenger, and he bore him speedily along the dangerous path, as if his feet never touched the ground, but refreshing airs breathed upon his forehead as he swept along, and silver voices chanted holy words to his glad heart. "He shall gather the lambs in his arms," said one; and another and a sweeter took up the strain and sang, "and he shall carry them in his bosom." And so he passed along the way swiftly and most happily.
Then I saw that he bore him to the mouth of the arbour into which Gottlieb had turned to rest. And now as he came up to it, Gottlieb was just coming forth again to renew his journey. Right glad was Gottlieb of the company of such a comrade; so they joined their hands together, and walked along the road speaking to one another of the kindness of the King, and telling one to the other all that had befallen them hitherto. A pleasant thing it was to see them marching along that road, their good staffs in their hands, their lamps burning brightly, and their books sending forth streams of light, to shew them the way that they should go. But now I saw they got into a part of the road which was rough and full of stones; and unless they kept the lights they bore with them ever turned towards the road, and looked, too, most carefully to their footing, they were in constant danger of falling. The air, also, seemed to have some power here of sending them to sleep, for I saw that Gottlieb's steps were not as steady and active as they had been; and he looked often from this side to that, to see if there were any other resting-place provided for him; but none could he see: and then methought, as he walked on, his eyes would close as he bent them down over his book, like one falling asleep from exceeding weariness.
The first similitude, “The Rocky Island,” opens with a dream-vision of a volcanic island where children play obliviously on the beach while the mountain erupts. The narrator’s initial assumption that “no one could dwell in it” is immediately contradicted by the sight of children absorbed in picking shells, chasing seabirds, and gathering berries. This stark contrast between danger and heedless play sets the allegorical tone: the children startle only when the thunder seems “close over their heads,” then quickly return to their games. The excerpt establishes a pattern of peril ignored, which the subsequent tales will develop through more explicit moral boundaries.
A Dream-Vision of Peril and Play
The opening paragraph of “The Rocky Island” is a sustained visual spectacle: a “rough rocky island” with a “black steep mountain” that casts “red flames” into dark clouds, accompanied by thunder and lightning that splits rocks. Yet the children on the shore are entirely absorbed in their own activities—picking shells, playing with “bright-coloured berries,” watching waves, chasing seabirds. The narrator’s wonder at this indifference is the reader’s first clue that the island is an allegory for a world where spiritual danger is ignored. The children’s brief moments of fear, when the eruption seems closer, are quickly forgotten, suggesting a cycle of alarm and complacency. This dream structure, borrowed from Bunyan, frames the entire collection as a series of instructive visions.
The Castle, the Garden, and the Forbidden Plain
In a later excerpt, the setting shifts to a castle with a “happy garden” where children are fed, clothed, and taught by “kind teachers.” The garden is bounded by a “wide waste plain” that the Lord of the castle forbids them to enter. The danger is explicit: enemies lurk in the desert, ready to “pounce down” on any child who crosses the border. The temptation is presented as gay flowers that appear bright only near the boundary; once a child steps over to pick one, it fades, and another brighter flower beckons further. This incremental enticement—flower after flower—leads to capture. The allegory is transparent: the forbidden plain represents sin, the flowers represent worldly allurements, and the enemies represent spiritual corruption. The children’s vulnerability is underscored by the fact that the flowers “never looked gay until you got near to its border.”
Character Names as Moral Signposts
Three children are named in the second excerpt: Kühn, Zart, and Glaube. These German words translate roughly to “bold,” “tender/delicate,” and “faith.” The names are not incidental; they encode the children’s temperaments and moral roles. Kühn is drawn to the desert’s flowers, his boldness leading him to the edge of danger. Zart, his younger brother, “would stand and tremble by him,” too timid to follow but unwilling to leave. Glaube, a “dear little girl,” never goes near the line; when Kühn lingers, she grows sad, bends her “dark sorrowful eyes” upon him, and whispers “O Kühn, remember.” Her name—Faith—and her tearful restraint position her as the conscience that pulls Kühn back. The author uses these names to make abstract virtues and vices concrete, guiding young readers to associate each trait with its consequence.
Repetition and the Rhythm of Temptation
The second excerpt builds tension through repetition: “Often and often had little Kühn … looked out over this desert”; “over and over again” the servants warn him; “Never yet had he crossed the border; but it …” (the sentence breaks off). This pattern of repeated near-transgression mirrors the structure of temptation itself—a recurring pull that intensifies each time. The flowers are described as “dropped here and there,” then “gay and shining,” then “brighter and more beautiful,” then “painted flowers”—each description slightly more alluring. The narrative rhythm of approach, warning, retreat, and renewed longing creates a suspense that is pedagogical: it teaches the reader to recognize the gradual, seductive nature of temptation. The unfinished sentence at the excerpt’s end leaves Kühn’s fate uncertain, a deliberate gap that invites the reader to wonder what happens next—and to internalize the warning.
These excerpts reveal Wilberforce’s method: he uses concrete, sensory details—volcanic fire, soft sand, withering flowers—to embody spiritual truths. The dream-vision frame, the allegorical names, and the repetitive structure of temptation all work to make abstract moral lessons tangible for children. As you read the full collection, note how each similitude introduces a new setting and dilemma while maintaining this core pattern of peril, choice, and consequence. The author’s preface mentions that the tales were tested on his own children, which may account for their blend of vivid imagery and didactic clarity.
I kept thinking about how the perilous island in The Rocky Island felt less like a place and more like a quiet test of nerve, the kind that lingers after you close the book. That same weight of choice, soft but insistent, came back to me while reading Stories from the Faerie Queen, Told to the Children — Edition Insights, where every knight’s path seemed to hold a similar hush before the danger.
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