More William — Reading Companion
Edition facts
Read the Text
Barbara were in the happy position of spending Christmas with relations, but immune from parental or maternal interference.
"They've gotten out," said Jimmy, sadly. "I got 'em for presents yesterday, an' they've gotten out. I've been feeling for 'em in the dark, but I can't find 'em."
"What?" said William.
"Snails. Great big suge ones wiv great big suge shells. I put 'em in a tin for presents an' they've gotten out an' I've gotten no presents for nobody."
He relapsed into despondency.
William surveyed the hall.
"They've got out right enough!" he said, sternly. "They've got out right _enough_. Jus' look at our hall! Jus' look at our clothes! They've got out _right_ enough."
Innumerable slimy iridescent trails shone over hats, and coats, and umbrellas, and wall-paper.
"Huh!" grunted William, who was apt to overwork his phrases. "They've got _out_ right enough."
He looked at the tracks again and brightened. Jimmy was frankly delighted.
"Oo! Look!" he cried, "Oo _funny_!"
William's thoughts flew back to his bedroom wall--"A Busy Day is a Happy Day."
"Let's clean it up!" he said. "Let's have it all nice an' clean for when they come down. We'll be busy. You tell me if you feel happy when we've done. It might be true wot it says, but I don't like the flowers messin' all over it."
Investigation in the kitchen provided them with a large pail of water and a scrubbing-brush each.
For a long time they worked in silence. They used plenty of water. When they had finished the trails were all gone. Each soaked garment on the hat-stand was sending a steady drip on to the already flooded floor. The wall-paper was sodden. With a feeling of blankness they realised that there was nothing else to clean.
It was Jimmy who conceived the exquisite idea of dipping his brush in the bucket and sprinkling William with water. A scrubbing-brush is in many ways almost as good as a hose. Each had a pail of ammunition. Each had a good-sized brush. During the next few minutes they experienced purest joy. Then William heard threatening movements above, and decided hastily that the battle must cease.
"Backstairs," he said shortly. "Come on."
Marking their track by a running stream of water, they crept up the backstairs.
But two small boys soaked to the skin could not disclaim all knowledge of a flooded hall.
William was calm and collected when confronted with a distracted mother.
"We was tryin' to clean up," he said. "We found all snail marks an' we was tryin' to clean up. We was tryin' to help. You said so last night, you know, when you was talkin' to me. You said to _help_. Well, I thought it was helpin' to try an' clean up. You can't clean up with water an' not get wet--not if you do it prop'ly. You said to try an' make Christmas Day happy for other folks and then I'd be happy. Well, I don't know as I'm very happy," he said, bitterly, "but I've been workin' hard enough since early this mornin'. I've been workin'," he went on pathetically. His eye wandered to the notice on his wall. "I've been _busy_ all right, but it doesn't make me _happy_--not jus' now," he added, with memories of the rapture of the fight. That certainly must be repeated some time. Buckets of water and scrubbing-brushes. He wondered he'd never thought of that before.
William's mother looked down at his dripping form.
"Did you get all that water with just cleaning up the snail marks?" she said.
William coughed and cleared his throat. "Well," he said, deprecatingly, "most of it. I think I got most of it."
"If it wasn't Christmas Day ..." she went on darkly.
William's spirits rose. There was certainly something to be said for Christmas Day.
It was decided to hide the traces of the crime as far as possible from William's father. It was felt--and not without reason--that William's father's feelings of respect for the sanctity of Christmas Day might be overcome by his feelings of paternal ire.
Half-an-hour later William, dried, dressed, brushed, and chastened, descended the stairs as the gong sounded in a hall which was bare of hats and coats, and whose floor shone with cleanliness.
"And jus' to think," said William, despondently, "that it's only jus' got to brekfust time."
William's father was at the bottom of the stairs. William's father frankly disliked Christmas Day.
"Good-morning, William," he said, "and a happy Christmas, and I hope it's not too much to ask of you that on this relation-infested day one's feelings may be harrowed by you as little as possible. And why the deu--dickens they think it necessary to wash the hall floor before breakfast, Heaven only knows!"
William coughed, a cough meant to be a polite mixture of greeting and deference. William's face was a study in holy innocence. His father glanced at him suspiciously. There were certain expressions of William's that he distrusted.
William entered the dining-room morosely. Jimmy's sister Barbara--a small bundle of curls and white frills--was already beginning her porridge.
"Goo' mornin'," she said, politely, "did you hear me cleanin' my teef?"
He crushed her with a glance.
He sat eating in silence till everyone had come down, and Aunts Jane, Evangeline, and Lucy were consuming porridge with that mixture of festivity and solemnity that they felt the occasion demanded.
Then Jimmy entered, radiant, with a tin in his hand.
"Got presents," he said, proudly. "Got presents, lots of presents."
He deposited on Barbara's plate a worm which Barbara promptly threw at his face. Jimmy looked at her reproachfully and proceeded to Aunt Evangeline. Aunt Evangeline's gift was a centipede--a live centipede that ran gaily off the tablecloth on to Aunt Evangeline's lap before anyone could stop it. With a yell that sent William's father to the library with his hands to his ears, Aunt Evangeline leapt to her chair and stood with her skirts held to her knees.
"Help! Help!" she cried. "The horrible boy! Catch it! Kill it!"
Jimmy gazed at her in amazement, and Barbara looked with interest at Aunt Evangeline's long expanse of shin.
"_My_ legs isn't like _your_ legs," she said pleasantly and conversationally. "My legs is knees."
It was some time before order was restored, the centipede killed, and Jimmy's remaining gifts thrown out of the window. William looked across the table at Jimmy with respect in his eye. Jimmy, in spite of his youth, was an acquaintance worth cultivating. Jimmy was eating porridge unconcernedly.
Aunt Evangeline had rushed from the room when the slaughter of the centipede had left the coast clear, and refused to return. She carried on a conversation from the top of the stairs.
"When that horrible child has gone, I'll come. He may have insects concealed on his person. And someone's been dropping water all over these stairs. They're _damp_!"
"Dear, dear!" murmured Aunt Jane, sadly.
Jimmy looked up from his porridge.
"How was I to know she didn't like insecks?" he said, aggrievedly. "_I_ like 'em."
William's mother's despair was only tempered by the fact that this time William was not the culprit. To William also it was a novel sensation. He realised the advantages of a fellow criminal.
After breakfast peace reigned. William's father went out for a walk with Robert. The aunts sat round the drawing-room fire talking and doing crochet-work. In this consists the whole art and duty of aunthood. _All_ aunts do crochet-work.
They had made careful inquiries about the time of the service.
"You needn't worry," had said William's mother. "It's at 10.30, and if you go to get ready when the clock in the library strikes ten it will give you heaps of time."
Peace ... calm ... quiet. Mrs. Brown and Ethel in the kitchen supervising the arrangements for the day. The aunts in the drawing-room discussing over their crochet-work the terrible way in which their sisters had brought up their children. That, also, is a necessary part of aunthood.
Time slipped by happily and peacefully. Then William's mother came into the drawing-room.
"I thought you were going to church," she said.
"We are. The clock hasn't struck."
"But--it's eleven o'clock!"
There was a gasp of dismay.
"The clock never struck!"
Indignantly they set off to the library. Peace and quiet reigned also in the library. On the floor sat William and Jimmy gazing with frowns of concentration at an open page of "Things a Boy Can Do." Around them lay most indecently exposed the internal arrangements of the library clock.
"William! You _wicked_ boy!"
William raised a frowning face.
"It's not put together right," he said, "it's not been put together right all this time. We're makin' it right now. It must have wanted mendin' for ever so long. _I_ dunno how it's been goin' at all. It's lucky we found it out. It's put together wrong. I guess it's _made_ wrong. It's goin' to be a lot of trouble to us to put it right, an' we can't do much when you're all standin' in the light. We're very busy--workin' at tryin' to mend this ole clock for you all."
"Clever," said Jimmy, admiringly. "Mendin' the clock. _Clever!_"
"William!" groaned his mother, "you've ruined the clock. What _will_ your father say?"
"Well, the cog-wheels was wrong," said William doggedly. "See? An' this ratchet-wheel isn't on the pawl prop'ly--not like what this book says it ought to be. Seems we've got to take it all to pieces to get it right. Seems to me the person wot made this clock didn't know much about clock-making. Seems to me----"
"Be _quiet_, William!"
"We was be quietin' 'fore you came in," said Jimmy, severely. "You 'sturbed us."
"Leave it just as it is, William," said his mother.
"You don't _unnerstand_," said William with the excitement of the fanatic. "The cog-wheel an' the ratchet ought to be put on the arbor different. See, this is the cog-wheel. Well, it oughtn't to be like wot it was. It was put on all _wrong_. Well, we was mendin' it. An' we was doin' it for _you_," he ended, bitterly, "jus' to help an'--to--to make other folks happy. It makes folks happy havin' clocks goin' right, anyone would _think_. But if you _want_ your clocks put together wrong, _I_ don't care."
He picked up his book and walked proudly from the room followed by the admiring Jimmy.
"William," said Aunt Lucy patiently, as he passed, "I don't want to say anything unkind, and I hope you won't remember all your life that you have completely spoilt this Christmas Day for me."
"Oh, dear!" murmured Aunt Jane, sadly.
William, with a look before which she should have sunk into the earth, answered shortly that he didn't think he would.
During the midday dinner the grown-ups, as is the foolish fashion of grown-ups, wasted much valuable time in the discussion of such futilities as the weather and the political state of the nation. Aunt Lucy was still suffering and aggrieved.
"I can go this evening, of course," she said, "but it's not quite the same. The morning service is different. Yes, please, dear--_and_ stuffing. Yes, I'll have a little more turkey, too. And, of course, the vicar may not preach to-night. That makes such a difference. The gravy on the potatoes, please. It's almost the first Christmas I've not been in the morning. It seems quite to have spoilt the day for me."
She bent on William a glance of gentle reproach. William was quite capable of meeting adequately that or any other glance, but at present he was too busy for minor hostilities. He was _extremely_ busy. He was doing his utmost to do full justice to a meal that only happens once a year.
"William," said Barbara pleasantly, "I can _dweam_. Can you?"
"Answer your cousin, William," said his mother.
He swallowed, then spoke plaintively, "You always say not to talk with my mouth full," he said.
"You could speak when you've finished the mouthful."
"No. 'Cause I want to fill it again then," said William, firmly.
"Dear, _dear_!" murmured Aunt Jane.
This was Aunt Jane's usual contribution to any conversation.
He looked coldly at the three pairs of horrified aunts' eyes around him, then placidly continued his meal.
Mrs. Brown hastily changed the subject of conversation. The art of combining the duties of mother and hostess is sometimes a difficult one.
Christmas afternoon is a time of rest. The three aunts withdrew from public life. Aunt Lucy found a book of sermons in the library and retired to her bedroom with it.
"It's the next best thing, I think," she said with a sad glance at William.
William was beginning definitely to dislike Aunt Lucy.
"Please'm," said the cook an hour later, "the mincing machine's disappeared."
"Disappeared?" said William's mother, raising her hand to her head.
"Clean gone'm. 'Ow'm I to get the supper'm? You said as 'ow I could get it done this afternoon so as to go to church this evening. I can't do nuffink with the mincing machine gone."
"I'll come and look."
They searched every corner of the kitchen, then William's mother had an idea. William's mother had not been William's mother for eleven years without learning many things. She went wearily up to William's bedroom.
William was sitting on the floor. Open beside him was "Things a Boy Can Do." Around him lay various parts of the mincing machine. His face was set and strained in mental and physical effort. He looked up as she entered.
"It's a funny kind of mincing machine," he said, crushingly. "It's not got enough parts. It's _made_ wrong----"
"Do you know," she said, slowly, "that we've all been looking for that mincin' machine for the last half-hour?"
"No," he said without much interest, "I di'n't. I'd have told you I was mendin' it if you'd told me you was lookin' for it. It's _wrong_," he went on aggrievedly. "I can't make anything with it. Look! It says in my book 'How to make a model railway signal with parts of a mincing machine.' Listen! It says, 'Borrow a mincing machine from your mother----"
"Did you borrow it?" said Mrs. Brown.
"Yes. Well, I've got it, haven't I? I went all the way down to the kitchen for it."
"Who lent it to you?"
"No one _lent_ it me. I _borrowed_ it. I thought you'd like to see a model railway signal. I thought you'd be interested. Anyone would think anyone would be interested in seein' a railway signal made out of a mincin' machine."
His tone implied that the dullness of people in general was simply beyond him. "An' you haven't got a right sort of mincin' machine. It's wrong. Its parts are the wrong shape. I've been hammerin' them, tryin' to make them right, but they're _made_ wrong."
Mrs. Brown was past expostulating. "Take them all down to the kitchen to cook," she said. "She's waiting for them."
On the stairs William met Aunt Lucy carrying her volume of sermons.
"It's not quite the same as the spoken word, William, dear," she said. "It hasn't the _force_. The written word doesn't reach the _heart_ as the spoken word does, but I don't want you to worry about it."
William walked on as if he had not heard her.
It was Aunt Jane who insisted on the little entertainment after tea.
"I _love_ to hear the dear children recite," she said. "I'm sure they all have some little recitation they can say."
Barbara arose with shy delight to say her piece.
"Lickle bwown seed, lickle bwown bwother, And what, pway, are you goin' to be? I'll be a poppy as white as my mother, Oh, DO be a poppy like me! What, you'll be a sunflower? Oh, how I shall miss you When you are golden and high! But I'll send all the bees up to tiss you. Lickle bwown bwother, good-bye!"
She sat down blushing, amid rapturous applause.
Next Jimmy was dragged from his corner. He stood up as one prepared for the worst, shut his eyes, and--
"Licklaxokindness lickledeedsolove-- make--thisearfanedenliketheeav'nabovethasalliknow."
he gasped all in one breath, and sat down panting.
This was greeted with slightly milder applause.
"I don't know any," he said.
"Oh, you _do_," said his mother. "Say the one you learnt at school last term. Stand up, dear, and speak clearly."
Slowly William rose to his feet.
"_It was the schooner Hesperus that sailed the wintry sea_,"
Here he stopped, coughed, cleared his throat, and began again.
"_It was the schooner Hesperus that sailed the wintry sea._"
"Oh, get _on_!" muttered his brother, irritably.
"I can't get on if you keep talkin' to me," said William, sternly. "How can I get on if you keep takin' all the time up _sayin'_ get on? I can't get on if you're talkin', can I?"
"It was the Hesper Schoonerus that sailed the wintry sea an' I'm not goin' on if Ethel's goin' to keep gigglin'. It's not a funny piece, an' if she's goin' on gigglin' like that I'm not sayin' any more of it."
"Ethel, dear!" murmured Mrs. Brown, reproachfully. Ethel turned her chair completely round and left her back only exposed to William's view. He glared at it suspiciously.
"Now, William dear," continued his mother, "begin again and no one shall interrupt you."
William again went through the preliminaries of coughing and clearing his throat.
"_It was the schooner Hesperus that sailed the wintry seas._"
He stopped again, and slowly and carefully straightened his collar and smoothed back the lock of hair which was dangling over his brow.
"_The skipper had brought----_" prompted Aunt Jane, kindly.
William turned on her.
"I was _goin'_ to say that if you'd left me alone," he said. "I was jus' thinkin'. I've got to think sometimes. I can't say off a great long pome like that without stoppin' to think sometimes, can I? I'll--I'll do a conjuring trick for you instead," he burst out, desperately. "I've learnt one from my book. I'll go an' get it ready."
He went out of the room. Mr. Brown took out his handkerchief and mopped his brow.
"May I ask," he said patiently, "how long this exhibition is to be allowed to continue?"
Here William returned, his pockets bulging. He held a large handkerchief in his hand.
"This is a handkerchief," he announced. "If anyone'd like to feel it to see if it's a real one, they can. Now I want a shilling," he looked round expectantly, but no one moved, "or a penny would do," he said, with a slightly disgusted air. Robert threw one across the room. "Well, I put the penny into the handkerchief. You can see me do it, can't you? If anyone wants to come an' feel the penny is in the handkerchief, they can. Well," he turned his back on them and took something out of his pocket. After a few contortions he turned round again, holding the handkerchief tightly. "Now, you look close,"--he went over to them--"an' you'll see the shil--I mean, penny," he looked scornfully at Robert, "has changed to an egg. It's a real egg. If anyone thinks it isn't a real egg----"
But it _was_ a real egg. It confirmed his statement by giving a resounding crack and sending a shining stream partly on to the carpet and partly on to Aunt Evangeline's black silk knee. A storm of reproaches burst out.
"First that horrible insect," almost wept Aunt Evangeline, "and then this messy stuff all over me. It's a good thing I don't live here. One day a year is enough.... My nerves!..."
"Dear, dear!" said Aunt Jane.
"Fancy taking a new-laid _egg_ for that," said Ethel severely.
William was pale and indignant.
"Well, I did jus' what the book said to do. Look at it. It says: 'Take an egg. Conceal it in the pocket.' Well, I took an egg an' I concealed it in the pocket. Seems to me," he said bitterly, "seems to me this book isn't 'Things a Boy Can Do.' It's 'Things a Boy Can't Do.'"
Mr. Brown rose slowly from his chair.
"You're just about right there, my son. Thank _you_," he said with elaborate politeness, as he took the book from William's reluctant hands and went over with it to a small cupboard in the wall. In this cupboard reposed an airgun, a bugle, a catapult, and a mouth-organ. As he unlocked it to put the book inside, the fleeting glimpse of his confiscated treasures added to the bitterness of William's soul.
"On Christmas Day, too!"
While he was still afire with silent indignation Aunt Lucy returned from church.
From the opening lines of More William, Richmal Crompton establishes a narrative voice that treats William's domestic world with mock-heroic gravity. The illuminated card on his wall—'A Busy Day is a Happy Day'—is met with a 'doubtful frown,' and his Christmas gifts are assessed with the cold pragmatism of a strategist: the sweets for his father and the pirate story for his brother are chosen precisely because the recipients will reject them, allowing William to reclaim them later. This blend of childlike logic and wry adult observation defines the book's tone.
A Voice That Shifts Between Innocence and Irony
Crompton's narrator moves fluidly between William's perspective and a more knowing, ironic stance. When William 'leapt lightly out of bed and dressed' after finding Things a Boy Can Do, the energy is his own. But the description of his gifts—'highly-coloured sweets' and 'The Pirates of the Bloody Hand'—carries a subtle mockery of his calculations. The narrator never condescends to William, yet the reader is invited to see the gap between William's schemes and their likely outcomes.
Dialogue further sharpens this dual voice. William's blunt 'Wot you dressed up like that for?' contrasts with the simpering 'Oh, William!' of Evangeline Fish. His mother's placating 'a smock is quite a nice manly garment' is met with a flat 'Yes, Mother' that the reader recognizes as tactical compliance. The narrator reports these exchanges without comment, letting the humor arise from the collision of registers.
Pacing Through Setbacks and Sudden Action
The stories in More William often begin with a leisurely setup—William's Christmas morning inventory, the arrival of relatives—then accelerate into frantic activity. In 'The May King,' the early pages dwell on William's resentment of the Maypole ceremony and his family's relief at his meekness. But once he acquires five shillings from an uncle, the pace quickens: he buys cakes, lures Evangeline into the woodshed, and commandeers the May Queen role for Bettine in a series of swift, decisive moves.
Crompton controls tempo through sentence length and paragraph breaks. Long, accumulating sentences describe William's thoughts ('He looked round his bedroom expectantly...'), while short, punchy ones mark action ('He came in and shut the door.'). The result is a rhythm that mirrors William's own impulsive energy—periods of scheming followed by bursts of execution.
Recurring Details That Anchor the World
Certain objects and phrases recur across the excerpts, building a consistent texture. The illuminated motto 'A Busy Day is a Happy Day' appears only once, but its sentiment is ironically echoed in William's relentless activity. The 'brown paper parcel' of stage properties becomes a motif of his improvisations. His sister Ethel's fancy-dress items—a crumpled gauze slip, a tinsel crown, a red sash—are repurposed with no respect for their original use.
William's speech patterns are also consistent: his ' 'Ullo!' and 'Go on! Eat 'em all!' carry the same blend of command and cajolery. The narrator's descriptions of adults—'an old uncle came to tea and gave William five shillings'—are economical, reducing them to their function in William's plans. These repeated details create a world where objects and people exist primarily as raw material for William's schemes.
Readers approaching More William will find that the pleasure lies less in plot outcomes than in the texture of the telling. Crompton's narrator maintains a consistent distance—close enough to render William's thoughts, detached enough to let his absurdities speak for themselves. The stories reward attention to how language shifts between William's bluntness and the narrator's dry irony, and how pacing mirrors the rhythm of a child's day: long stretches of boredom punctuated by sudden, chaotic action.
Years at this desk taught me that mischief and tenderness often share a shelf. William’s schemes, all reckless certainty, still hold a flicker of earnestness beneath the bluster. Days later, I found myself near The Tale of Snowball Lamb — Reading Notes, and thought how both books understand a small heart’s stubborn hope. Quiet company, those pages keep.
There are no reviews for this eBook.
What did you think of this book?
Answer a few questions and save a private reflection on this device.
Kevin Olson - 1 month ago
Michael Campbell - 3 weeks ago
John Vega - 1 week ago